Fashion & Editorial
Brand campaigns, content shoots, talent days. Also editorial, fashion, and on-set for film and TV. Mobile to set or studio in Sydney; available for travel.
Brand campaigns, content shoots, talent days, product launches — the bulk of my non-bridal calendar. Editorial, fashion, and on-set for film and TV sit alongside it. I’m the commercial hair & makeup artist Sydney producers book for set days — mobile to location or studio, and available for travel.
What I shoot
Commercial
Brand campaigns, product shoots, talent days, content series. Mobile to your set or in-studio in Sydney; comfortable working to a brief or to a moodboard.
Editorial
Beauty stories, covers, magazine features. Skin-led; range across natural and stylised.
Fashion
Campaigns, lookbooks, designer collaborations.
Film & television
On-set, period, and character. Continuity-aware; comfortable on long days.
Recent work
How I work
Day rates depend on the brief — campaign days, single-talent content shoots, multi-look editorials, and longer film schedules each price differently. Send what you have and I’ll come back with a quote.
Where — Sydney-based. Mobile to set or studio. Available for interstate and international shoots.
Credits — Photographer, hair, makeup, stylist, model, and publication or production are credited on every entry. Tear sheets available on request.
Commercial hair & makeup artist Sydney: what a shoot day looks like
Call time is usually an hour before first shot, longer if there are several talent or a change of look. I stay on set for continuity and touch-ups unless the brief says otherwise, and I keep a record of what was used on each look so a reshoot matches. Rates depend on the day — half day, full day, or a run of days — and travel is quoted separately. Commercial work and editorial are both on the showcase.
Have a brief?
Send through dates, deliverables, and references. I’ll come back with availability and a quote.
On this page
Working with a commercial hair & makeup artist Sydney: common questions
What do you need in a brief?
The date, the location, how many talent, and how many looks. That is enough for a commercial hair & makeup artist Sydney producers can quote accurately, without a call.
Do you stay on set?
Yes, for continuity and touch-ups, unless the brief says otherwise. I keep a record of what was used on each look so a reshoot matches.
How are rates structured?
By half day, full day, or a run of days. Travel is quoted separately so there is nothing to discover later.
Can you work to a reference deck?
Yes. Send it with the brief. It is faster than describing a look in words and it tells me what the client has already approved.
Briefs come in from agencies, in-house teams and photographers directly. A commercial hair & makeup artist Sydney crews have worked with before is usually the easier booking, so ask whoever shot your last campaign.
Recent commercial hair & makeup artist Sydney shoots
Call times, usage and overtime
Call time is when I am set up and ready for the first face, not when I arrive. For an early call I will usually ask to load in the night before if the location allows it.
Rates cover the shoot day. Usage and licensing sit with the client and the talent, not with me, so nothing in my quote restricts where the images run. Overtime is quoted per hour and agreed on the day rather than invoiced as a surprise.
Rates are structured by half day, full day, or a run of days, with travel quoted separately so the number does not move later. For a multi-day shoot it is worth flagging the full run at the point of quoting rather than booking it a day at a time.
Recent work goes up on Instagram first.